1 00:01:21,170 --> 00:01:25,530 Oh, let me call you sweetheart. 2 00:01:26,310 --> 00:01:28,810 I'm in love with you. 3 00:01:29,270 --> 00:01:35,250 Let me hear you whisper that you love me too. 4 00:01:35,590 --> 00:01:42,450 Keep the love light glowing in your eyes so too. 5 00:01:42,990 --> 00:01:47,290 Oh, let me call you sweetheart. 6 00:01:48,289 --> 00:01:51,650 I'm in love with you. 7 00:01:52,690 --> 00:01:55,970 Oh, let me call you sweetheart. 8 00:01:56,830 --> 00:01:59,930 I'm in love with you. 9 00:02:00,150 --> 00:02:03,270 Easy now, easy. My back's busted from all this pruning. 10 00:02:03,890 --> 00:02:05,490 Silver tongue flatterer. 11 00:02:06,870 --> 00:02:11,250 You know, there was a time I could work all day and dance all night. Maybe I'm 12 00:02:11,250 --> 00:02:12,590 getting too old to run this farm. 13 00:02:12,830 --> 00:02:14,210 Well, let's tell the blessed thing. 14 00:02:14,680 --> 00:02:17,340 Let's live the life of Riley and go dancing in the street. 15 00:02:17,580 --> 00:02:21,500 Dancing in the... And who is going to milk that ornery old cow, huh? 16 00:02:21,760 --> 00:02:23,480 Oh, that's my Alec. 17 00:02:24,320 --> 00:02:26,300 Always a mad impetuous fool. 18 00:02:27,960 --> 00:02:29,000 Look at this place. 19 00:02:30,160 --> 00:02:33,580 You ever seen anything so... rural? 20 00:02:35,380 --> 00:02:36,660 I love this place. 21 00:02:37,360 --> 00:02:40,420 I'm thinking good thoughts, Betty. Nothing but good thoughts. 22 00:02:40,800 --> 00:02:41,820 Really going to help. 23 00:02:42,100 --> 00:02:43,100 We can't hurt. 24 00:02:43,560 --> 00:02:46,780 I mean, in four months, the pair of us have written sweet bilts for Mr. 25 00:02:46,920 --> 00:02:48,800 Ziegfeld. Yeah, they say it's me, Tunes. 26 00:02:49,400 --> 00:02:50,400 Tucked out of tunes. 27 00:02:50,660 --> 00:02:51,760 All washed up. 28 00:02:52,080 --> 00:02:53,080 But look at me now. 29 00:02:53,420 --> 00:02:54,700 Huh? Raring to go. 30 00:02:54,960 --> 00:02:56,660 I feel a tune coming on already. 31 00:02:56,920 --> 00:02:59,200 Well, that's the spirit. Getting fired. 32 00:02:59,720 --> 00:03:03,540 A couple days in this country, you'll be popping them out like sausages. 33 00:03:06,800 --> 00:03:12,220 Do you have to hit every bunk or make my accordion sound odd? Oh, is that what 34 00:03:12,220 --> 00:03:12,918 it is? 35 00:03:12,920 --> 00:03:15,660 Do you really think the Blaines are going to sweep you out to New York and 36 00:03:15,660 --> 00:03:19,220 you some big accordion star? Hey, big Broadway songwriter, it could happen. 37 00:03:21,040 --> 00:03:24,620 I mean, first there's the songwriting team, and then one is inundated with 38 00:03:24,620 --> 00:03:28,020 actors and musicians and tap dancers. 39 00:03:28,440 --> 00:03:32,880 Oh, Simon, you simply have to obey the rules like everyone else. 40 00:03:35,060 --> 00:03:38,120 Oh, me, Hetty King, our reputation will suffer. 41 00:03:39,040 --> 00:03:42,860 Breakfast will be served from six till nine. In the morning? 42 00:03:44,880 --> 00:03:47,800 Good day, and welcome to the White Sands. 43 00:03:48,260 --> 00:03:51,040 Mr. and Mrs. Blaine. Oh, please, Betty and Rudy. 44 00:03:51,960 --> 00:03:57,340 No, I'm afraid the White Sands is not a first -name sort of establishment. 45 00:03:58,060 --> 00:03:59,520 We're quite formal here. 46 00:03:59,840 --> 00:04:01,840 White ties and tiaras, I can tell. 47 00:04:02,120 --> 00:04:05,720 The entrance doors are locked at ten o 'clock sharp. 48 00:04:06,240 --> 00:04:13,240 Also, we discourage the strong spirits and loud noises, so no tap 49 00:04:13,240 --> 00:04:14,240 dancing now. 50 00:04:14,320 --> 00:04:19,500 Listen. Sweetheart, I think that's good news because we're here for quiet and 51 00:04:19,500 --> 00:04:24,960 creative rejuvenation. Good. Then we understand each other perfectly. 52 00:04:27,880 --> 00:04:28,880 Yikes. 53 00:04:34,000 --> 00:04:35,960 Gotta be a spinster. Am I right? 54 00:04:36,180 --> 00:04:37,180 Oh, yes, ma 'am. 55 00:04:39,920 --> 00:04:46,720 I was just getting ready to go over to the White Sands and 56 00:04:46,720 --> 00:04:47,720 interview the bling. 57 00:04:47,840 --> 00:04:50,280 This thing is sickly heavy enough. I wonder what's in it. 58 00:04:51,940 --> 00:04:54,700 Alec, you remember Selina, Jasper's cousin? Of course. 59 00:04:54,920 --> 00:04:56,260 She'd come to help out while he's away. 60 00:04:56,700 --> 00:04:57,700 Well, that was thoughtful. 61 00:04:57,840 --> 00:05:02,860 I've always been devoted to Cousin Jasper and his work. True genius is so 62 00:05:03,340 --> 00:05:04,340 I know. 63 00:05:04,520 --> 00:05:08,600 I see you're fixing his refrigeration device. How's it going? 64 00:05:08,840 --> 00:05:12,260 During the low -pressure condensation phase, the coolant loses all its 65 00:05:12,260 --> 00:05:14,160 volatility. So it's going well? 66 00:05:14,800 --> 00:05:16,560 I'm a complete and utter failure. 67 00:05:16,900 --> 00:05:19,960 I'm sure I don't know what use I am to Olivia and Monty. 68 00:05:21,020 --> 00:05:24,620 I'm sure it's a great comfort to Jasper that you're here. Me too. 69 00:05:26,280 --> 00:05:27,340 What is this? 70 00:05:27,700 --> 00:05:31,340 It appears to be some sort of an apparatus for... 71 00:05:33,390 --> 00:05:34,690 I have no idea. Oh. 72 00:05:35,990 --> 00:05:36,990 Oh, look. 73 00:05:38,430 --> 00:05:39,430 Oh. 74 00:05:46,110 --> 00:05:47,690 Please patent this. 75 00:05:48,190 --> 00:05:49,710 May make our fortune. 76 00:05:50,610 --> 00:05:51,610 Jasper. 77 00:05:53,570 --> 00:05:58,670 Well, it's difficult to patent a box of parts, but I'll see what I can do with 78 00:05:58,670 --> 00:06:00,730 it. Perhaps if I check his notebook. 79 00:06:05,160 --> 00:06:06,920 You haul your camera over to the hotel if you like. 80 00:06:08,860 --> 00:06:13,520 Would it have killed him to write something a little affectionate? 81 00:06:14,480 --> 00:06:19,060 He obviously thinks that whatever this is will secure your future. 82 00:06:20,600 --> 00:06:23,620 Well, he could have said he misses us. 83 00:06:24,160 --> 00:06:25,920 Read between the lines, Olivia. 84 00:06:26,460 --> 00:06:29,560 His caring for you is need to provide for you and Monty. 85 00:06:29,960 --> 00:06:31,940 It's all Jasper can think about. 86 00:06:41,230 --> 00:06:44,550 No, quite not possible. We can't simply move a piano into your room. 87 00:06:44,770 --> 00:06:47,250 But there's no problems at the Savoy. Never mind, Betty. 88 00:06:47,650 --> 00:06:52,890 Savoy. Oh, but you see, our only piano is in the dining room there. Fine, move 89 00:06:52,890 --> 00:06:53,809 it up to our room. 90 00:06:53,810 --> 00:06:58,130 But the piano, you see, is for the enjoyment of our guests. 91 00:06:58,470 --> 00:06:59,750 What are we, Keviltavish? 92 00:07:00,030 --> 00:07:01,390 Oh, look, never mind. 93 00:07:01,770 --> 00:07:05,990 Mr. Flosigfeld. You've heard of him. He's expecting a show from us in less 94 00:07:05,990 --> 00:07:08,490 a month. Oh, it doesn't matter. I'm dried up anyway. Rudy. 95 00:07:10,440 --> 00:07:12,840 We are your guests. You're supposed to be nice to us, remember? 96 00:07:13,960 --> 00:07:17,260 Blaine, I'm Olivia Dale from the Avonlea Chronicle. 97 00:07:17,700 --> 00:07:19,040 I've come about the interview. 98 00:07:19,320 --> 00:07:20,680 Interview? We're leaving. 99 00:07:22,480 --> 00:07:26,420 And don't think we won't tell all our friends what a horrible place this is. 100 00:07:26,620 --> 00:07:27,620 Right? 101 00:07:28,140 --> 00:07:33,100 Our reputation is saved. No jugglers, no acrobats. No royalty. 102 00:07:34,320 --> 00:07:37,660 Royalty? One of their friends is only the king. 103 00:07:38,060 --> 00:07:39,060 The king? 104 00:07:40,260 --> 00:07:41,480 Oh, King George. 105 00:07:41,720 --> 00:07:43,000 A likely story. 106 00:07:43,360 --> 00:07:44,520 Oh, yes, really, Olivia. 107 00:07:44,860 --> 00:07:48,820 Doesn't everybody know that after a command performance at Albert Hall, the 108 00:07:48,820 --> 00:07:52,340 Blaines were personal guests at Buckingham Palace for three days? 109 00:07:52,900 --> 00:07:55,960 No doubt His Majesty had more than enough pianos to go around. 110 00:07:57,600 --> 00:08:02,040 Well, yes, they wanted a piano for their room. 111 00:08:02,900 --> 00:08:04,020 Is that all? 112 00:08:04,360 --> 00:08:05,600 Hetty, they're songwriters. 113 00:08:07,400 --> 00:08:08,400 Olivia. 114 00:08:09,450 --> 00:08:10,450 You go on. 115 00:08:11,090 --> 00:08:12,930 I'll check on this. 116 00:08:13,830 --> 00:08:15,050 Felix will drive you home. 117 00:08:17,430 --> 00:08:19,930 Maybe you should take us to some real friendly country. 118 00:08:21,510 --> 00:08:22,510 Like Borneo. 119 00:08:23,770 --> 00:08:25,030 They're only headhunters. 120 00:08:29,190 --> 00:08:30,870 I don't know why I'm putting you through this. 121 00:08:31,110 --> 00:08:32,450 Oh, you'll get it back. 122 00:08:33,090 --> 00:08:36,809 You were doing so well when we first got here. You almost wrote something. 123 00:08:37,909 --> 00:08:38,909 It's the pressure. 124 00:08:39,210 --> 00:08:41,770 All those people waiting for you to top yourself. 125 00:08:42,350 --> 00:08:44,930 Yeah. What if I only have one show in me? 126 00:08:45,550 --> 00:08:49,650 Oh, it's a slump. Like Ty Cobb and Cy Young, huh? 127 00:08:49,870 --> 00:08:50,870 Come here. 128 00:08:53,590 --> 00:08:55,350 Oops. Oh, goodness. 129 00:08:56,470 --> 00:08:57,530 Too big a burden. 130 00:08:57,790 --> 00:09:02,770 The door was the jar. I guess kissing between married people isn't allowed in 131 00:09:02,770 --> 00:09:03,770 this monastery. 132 00:09:03,990 --> 00:09:04,990 Yeah. 133 00:09:05,750 --> 00:09:06,750 Don't worry. 134 00:09:08,220 --> 00:09:09,220 We're packing to go. 135 00:09:09,960 --> 00:09:11,320 No, no. 136 00:09:12,700 --> 00:09:18,020 Actually, I was just coming to tell you that we may, after all, be able to set 137 00:09:18,020 --> 00:09:20,780 aside the piano for your exclusive use. 138 00:09:25,100 --> 00:09:26,100 Excuse me. 139 00:09:27,740 --> 00:09:30,540 And what changed your mind? 140 00:09:31,400 --> 00:09:36,820 Oh, to tell you the truth, my business partner, Mr. Tremaine, doesn't. 141 00:09:37,520 --> 00:09:40,980 Always appreciate artistic necessity. 142 00:09:41,900 --> 00:09:44,400 Oh, and suddenly you do? 143 00:09:44,720 --> 00:09:45,479 Oh, suddenly? 144 00:09:45,480 --> 00:09:46,480 No, no. 145 00:09:46,820 --> 00:09:48,080 Not at all. 146 00:09:48,760 --> 00:09:51,760 Oh, he has many fine qualities. 147 00:09:53,060 --> 00:09:59,560 Tremaine. But sadly, still lingers under the old -fashioned 148 00:09:59,560 --> 00:10:04,400 misapprehension that show people are, well, vagabonds, you know. 149 00:10:05,020 --> 00:10:06,320 Whereas I... 150 00:10:06,720 --> 00:10:08,460 Take a more modern view. 151 00:10:08,920 --> 00:10:09,920 No kidding. 152 00:10:10,120 --> 00:10:13,860 Show people are well practically royalty. 153 00:10:16,060 --> 00:10:17,540 Oh, we are? 154 00:10:19,660 --> 00:10:24,100 I don't want you to be as comfortable here. 155 00:10:26,520 --> 00:10:31,740 At the White Sands Hotel, as you would in, I don't know, in 156 00:10:31,740 --> 00:10:34,300 Buckingham Palace. 157 00:10:34,880 --> 00:10:38,410 Ah. And we certainly know our palaces, don't we, sugar cakes? 158 00:10:38,910 --> 00:10:40,090 One small favor. 159 00:10:41,110 --> 00:10:45,770 Could you possibly refrain from creating during mealtimes? 160 00:10:46,150 --> 00:10:47,270 We only work at night. 161 00:10:50,550 --> 00:10:56,750 How does that story about us and King George keep getting around? 162 00:10:57,010 --> 00:10:59,970 Search me. But I say if it gets us better service, go with it. 163 00:11:20,840 --> 00:11:25,100 I found preliminary drawings under devices for sound replication and 164 00:11:25,100 --> 00:11:30,660 amplification. It sounded just like him. I thought he'd come home. It's his 165 00:11:30,660 --> 00:11:33,280 message to you. Just turn that crank. 166 00:11:37,020 --> 00:11:44,000 My darling Olivia, I cannot begin to tell you 167 00:11:44,000 --> 00:11:50,280 the pain that I feel in my heart when I think of the ocean between us. 168 00:11:51,120 --> 00:11:53,820 I ache to feel you. 169 00:11:54,180 --> 00:11:57,540 I'm sorry. 170 00:11:58,580 --> 00:12:01,800 I always get so emotional with Jasper. 171 00:12:02,880 --> 00:12:09,020 Aunt Olivia, this contraption could make you very wealthy. 172 00:12:10,820 --> 00:12:14,000 Nobody's going to pay to listen to Jasper talk. 173 00:12:14,540 --> 00:12:17,280 Let me be your business agent in this matter. 174 00:12:17,760 --> 00:12:19,200 I don't know, Felix. 175 00:12:19,440 --> 00:12:20,440 Well, please. 176 00:12:20,460 --> 00:12:23,140 With this, Uncle Jasper is going to be bigger than Edison. 177 00:12:29,540 --> 00:12:30,020 That 178 00:12:30,020 --> 00:12:38,900 sound 179 00:12:38,900 --> 00:12:39,900 good? 180 00:12:40,080 --> 00:12:42,660 Sure. It's the first song we ever wrote together. 181 00:12:44,660 --> 00:12:46,260 I need a rhyme for donkey. 182 00:12:47,979 --> 00:12:52,400 Maybe if I write the words, the tunes will just pop into your head. Oh, sure. 183 00:12:52,740 --> 00:12:54,020 Listen, I'll try anything. 184 00:12:54,440 --> 00:12:56,660 Well, please. What are you doing? 185 00:12:57,260 --> 00:12:59,680 It's three in the morning. Shh. 186 00:13:00,680 --> 00:13:02,640 The spinster lady said okay. 187 00:13:03,080 --> 00:13:06,600 Yeah, we won't be much longer, because once I get the light out, we're no good 188 00:13:06,600 --> 00:13:07,600 at all. 189 00:13:07,760 --> 00:13:10,900 I'll tell you what, Mac. We'll clam it up and pipe it down. 190 00:13:18,840 --> 00:13:23,760 Here's an old trick I stole from Irving Berlin. 191 00:13:29,180 --> 00:13:35,860 Maybe you wish you'd stolen a tune while you were at it. 192 00:13:36,000 --> 00:13:37,520 Ah, you're every... 193 00:13:37,850 --> 00:13:40,330 A bit as good as Berlin? Oh, sure. 194 00:13:40,950 --> 00:13:44,430 The only thing me and Irving have in common is that we can both only play in 195 00:13:44,430 --> 00:13:48,190 key. Hey. Hey, well, you know, maybe you should have teamed up with him 196 00:13:48,190 --> 00:13:49,670 altogether. With Berlin? 197 00:13:49,890 --> 00:13:52,610 Please. Now there is a one -hit wonder. 198 00:13:52,850 --> 00:13:53,850 Play. 199 00:13:55,430 --> 00:13:56,990 Wouldn't that be the life? 200 00:13:58,130 --> 00:14:00,510 Hobnobbing with kings and tycoons. 201 00:14:01,050 --> 00:14:03,290 I had no idea I was so dull. 202 00:14:04,030 --> 00:14:06,390 Oh, no, no, dear. Not dull. 203 00:14:10,439 --> 00:14:15,460 Settled. Some lives are so full of excitement and impulse. 204 00:14:15,980 --> 00:14:17,940 Now, hold on. I can be impulsive. 205 00:14:18,440 --> 00:14:21,940 Remember, I took you on that carriage ride under the moonlight? 206 00:14:23,720 --> 00:14:25,560 That was when Daniel had the croup. 207 00:14:30,900 --> 00:14:33,380 What? Really, Happy King. 208 00:14:33,920 --> 00:14:38,260 The royal order of the Daughters of the Dominion hosting common musical 209 00:14:38,260 --> 00:14:40,540 performers? A common mode? 210 00:14:41,780 --> 00:14:44,840 For medicinal purposes, is my understanding. 211 00:14:45,380 --> 00:14:49,260 Some of us bear higher standards for our organization, Hetty King. 212 00:14:49,560 --> 00:14:50,720 Is that so? 213 00:14:52,600 --> 00:14:59,180 Higher standards than those of his Imperial Majesty, King 214 00:14:59,180 --> 00:15:00,380 George V? 215 00:15:01,580 --> 00:15:08,560 who just last summer chose to entertain the Blaines as his personal 216 00:15:08,560 --> 00:15:12,120 houseguest. His Majesty likes the show tunes? 217 00:15:14,320 --> 00:15:15,320 Apparently. 218 00:15:16,300 --> 00:15:22,700 Now, since we already have scheduled on our calendar a 219 00:15:22,700 --> 00:15:27,280 musicale to raise funds for the new portrait of His Majesty to be hung in 220 00:15:27,280 --> 00:15:28,580 heavenly schoolhouse, 221 00:15:29,780 --> 00:15:35,580 Wouldn't it be more appropriate to move that date forward so as to include our 222 00:15:35,580 --> 00:15:37,360 illustrious visitor? 223 00:15:39,760 --> 00:15:40,920 Shall we vote? 224 00:15:45,100 --> 00:15:46,100 You ready? 225 00:15:49,600 --> 00:15:50,320 We 226 00:15:50,320 --> 00:15:56,980 ordered coffee. 227 00:15:57,340 --> 00:15:58,380 Yes, sir. 228 00:16:03,690 --> 00:16:06,470 I just thought you might like to see something that could revolutionize the 229 00:16:06,470 --> 00:16:07,449 music industry. 230 00:16:07,450 --> 00:16:09,070 Their royalty system, maybe. 231 00:16:11,950 --> 00:16:13,990 What is that? 232 00:16:14,830 --> 00:16:17,550 Allow me to present my technician, Miss Selina Dale. 233 00:16:18,490 --> 00:16:19,490 How do you do? 234 00:16:20,250 --> 00:16:24,570 Now, uh, Mr. Blinn, if you could simply say something, anything into the device. 235 00:16:24,930 --> 00:16:28,470 Oh, my wife's the word, Smith. I just write tunes. And not too much of that 236 00:16:28,470 --> 00:16:29,470 lately. 237 00:16:29,670 --> 00:16:31,470 Okay, I'll do it. All right. 238 00:16:32,720 --> 00:16:34,800 Anything I want? Anything you want. 239 00:16:35,040 --> 00:16:36,040 Are you ready? 240 00:16:37,860 --> 00:16:42,760 Lizzie Borden took a nap and gave her husband 40 whacks. Gave her mother. 241 00:16:43,260 --> 00:16:45,700 Perhaps she wanted her husband to stop feeling sorry for himself. 242 00:16:46,440 --> 00:16:48,020 Now, be prepared. 243 00:16:48,720 --> 00:16:49,720 Be made. 244 00:17:04,560 --> 00:17:09,760 Well, thank you very much. That was very amusing. That's not it. What's 245 00:17:09,760 --> 00:17:10,760 happened? 246 00:17:11,220 --> 00:17:12,220 Listen, 247 00:17:12,440 --> 00:17:14,300 if you don't mind, we've got a dress for dinner. 248 00:17:15,040 --> 00:17:16,040 I'm sorry. 249 00:17:17,099 --> 00:17:18,700 No, no, it was very, very amusing. 250 00:17:19,040 --> 00:17:20,040 Very amusing. 251 00:17:20,940 --> 00:17:22,240 No, we thank you. 252 00:17:24,339 --> 00:17:25,339 That's good. 253 00:17:26,780 --> 00:17:28,319 Don't forget the coffee now. 254 00:17:36,460 --> 00:17:38,800 Nothing the king likes more than a good hand -rolled Havana. 255 00:17:42,060 --> 00:17:44,480 You, uh, you don't mind, do you, ladies? 256 00:17:44,880 --> 00:17:47,540 No, no, not in the least, do we? 257 00:17:48,340 --> 00:17:51,040 His Highness always said nothing tops a meal better. 258 00:17:52,500 --> 00:17:55,380 Except a nice glass of brandy. 259 00:17:57,100 --> 00:18:00,800 If we drank brandy, which we don't. 260 00:18:04,660 --> 00:18:05,660 Anyway. 261 00:18:05,850 --> 00:18:12,770 Mr. and Mrs. Blaine, you've both experienced that very rare privilege 262 00:18:12,770 --> 00:18:18,670 in Insider's view of the royals, and we wondered if you might 263 00:18:18,670 --> 00:18:22,830 grace us with an anecdote or two, you know. 264 00:18:23,470 --> 00:18:29,010 This is about time spent with our royal family. 265 00:18:30,710 --> 00:18:33,690 Yes, well, the... 266 00:18:34,890 --> 00:18:35,890 The king. 267 00:18:37,610 --> 00:18:38,610 Nice guy. 268 00:18:39,030 --> 00:18:41,550 Very nice fellow. Quite something, actually. 269 00:18:42,550 --> 00:18:44,510 The prince. 270 00:18:44,770 --> 00:18:46,150 Well, the prince. 271 00:18:46,490 --> 00:18:50,870 What can you say about the prince? He's a prince. 272 00:18:52,470 --> 00:18:53,530 And Her Majesty? 273 00:18:54,390 --> 00:18:56,910 Tell us about the queen. The queen? 274 00:18:57,550 --> 00:18:59,870 Oh, well, they don't make them like that anymore, do they, Rudy? 275 00:19:00,370 --> 00:19:06,360 No. Oh, she's a hoot and a holler. Just cracking jokes and carrying on. You 276 00:19:06,360 --> 00:19:07,620 know, she's a card. 277 00:19:09,240 --> 00:19:13,740 The queen of the cards. And then you should see that woman do the bunny hug. 278 00:19:15,060 --> 00:19:18,220 And no one can touch her turkey trot. Nobody. 279 00:19:19,780 --> 00:19:24,660 Oh, goodness, you have had an intimate view, haven't you? 280 00:19:26,300 --> 00:19:30,320 Behind the castle wall, they really let their hair down. Oh, boy. You know what 281 00:19:30,320 --> 00:19:31,320 I'm saying? 282 00:19:33,770 --> 00:19:37,310 How have you found your stay here in Avonlea? 283 00:19:37,990 --> 00:19:42,010 I trust there's been sufficient pastoral inspiration. 284 00:19:42,370 --> 00:19:44,450 Yes, we've been writing oodles. 285 00:19:44,710 --> 00:19:46,810 You should see him cracking out the tunes, huh? 286 00:19:47,050 --> 00:19:53,350 I am glad to hear that, because we wondered if you might 287 00:19:53,350 --> 00:19:58,810 lend your support to a rather worthy royal cause. 288 00:19:59,470 --> 00:20:02,930 If it's for our old friend the king, we'll be there with bells on. 289 00:20:03,270 --> 00:20:04,089 You will? 290 00:20:04,090 --> 00:20:10,770 Oh, hooray. Oh, you will. You'll perform one of your new songs in our upcoming 291 00:20:10,770 --> 00:20:15,270 musical. One of which? It does benefit his majesty. 292 00:20:17,450 --> 00:20:18,450 With pleasure. 293 00:20:18,950 --> 00:20:23,350 Uh, sweetums. Look, a deadline is maybe all we need. 294 00:20:24,350 --> 00:20:25,350 I'll say it is. 295 00:20:26,510 --> 00:20:28,910 Ladies, if you'll excuse me, I... 296 00:20:29,930 --> 00:20:30,930 I'll get some air. 297 00:20:31,130 --> 00:20:32,130 Oh, no. 298 00:20:32,930 --> 00:20:35,590 Hi. Well, thanks. 299 00:20:36,450 --> 00:20:41,590 Before you leave, will you be visiting His Majesty again? 300 00:20:42,150 --> 00:20:44,250 Well, they did say something about Christmas. 301 00:20:44,510 --> 00:20:45,970 You're invited for the holiday? 302 00:20:47,130 --> 00:20:48,130 To Palmore. 303 00:20:48,990 --> 00:20:51,990 Belting out the holly and the ivy around the old upright. 304 00:20:52,670 --> 00:20:55,370 Hey, I wonder if we could bring some friends. 305 00:20:55,650 --> 00:20:56,990 They've got all the extra room. 306 00:21:00,520 --> 00:21:07,160 To ferry me over to my love and I. 307 00:21:09,380 --> 00:21:12,300 See, the sadder the song, the more she yields. 308 00:21:12,680 --> 00:21:14,640 I wish I inherited your voice. 309 00:21:15,080 --> 00:21:19,220 Oh, Cecily, you've got a beautiful singing voice. I wish I heard more of 310 00:21:19,660 --> 00:21:24,840 I failed Olivia. I failed Jasper. I failed modern science. 311 00:21:25,040 --> 00:21:26,860 Well, the question is, can you make this thing work? 312 00:21:27,980 --> 00:21:28,980 Dodo! 313 00:21:30,890 --> 00:21:35,110 I forget the fluctuating induction field. Oh, come on, old girl. You can do 314 00:21:35,110 --> 00:21:36,110 better than that. 315 00:21:37,710 --> 00:21:44,010 I wish I was... Helena, with the endorsement of the Blames, we can make 316 00:21:44,010 --> 00:21:45,430 Jasperdale a household name. 317 00:21:45,790 --> 00:21:48,710 They're business people. We just have to prove that it's useful to their 318 00:21:48,710 --> 00:21:50,070 business. How? 319 00:21:50,850 --> 00:21:56,510 Well... I would swim over... 320 00:21:57,280 --> 00:22:00,240 The deepest of ocean. 321 00:22:04,060 --> 00:22:07,480 What are you going to play for us now? Bad shrieks and bold bellows? 322 00:22:07,920 --> 00:22:12,900 Now, my father's going to sing into this so you can hear how closely this 323 00:22:12,900 --> 00:22:14,320 machine can replicate a tune. 324 00:22:14,560 --> 00:22:16,660 Yeah, if it could write a tune, I'd be interested. 325 00:22:17,960 --> 00:22:18,960 Father? 326 00:22:20,440 --> 00:22:21,440 Father? 327 00:22:24,650 --> 00:22:29,370 Oh, you take the high road and I'll take the low road. 328 00:22:29,670 --> 00:22:34,350 And I'll be in Scotland afore ye. 329 00:22:35,050 --> 00:22:41,530 Ah, but me and my true love, we will never meet again. 330 00:22:42,470 --> 00:22:48,730 On the bonnie, bonnie banks of Loch Lomond. 331 00:22:49,750 --> 00:22:51,290 Good, good. Keep going. 332 00:22:53,200 --> 00:22:59,980 By yon bonnie banks and by yon bonnie braes, where the sun 333 00:22:59,980 --> 00:23:04,060 shines bright on Loch Lomond. 334 00:23:05,340 --> 00:23:07,540 Are you a professional, Mr. King? 335 00:23:07,740 --> 00:23:09,120 Oh, bless you, ma 'am, no. 336 00:23:09,460 --> 00:23:13,800 Church socials, the choir, things like that. 337 00:23:22,160 --> 00:23:25,240 I hear the man's voice, and a tune pops right into my head. 338 00:23:25,680 --> 00:23:27,480 So, what do you think? 339 00:23:27,720 --> 00:23:31,260 We don't give a lick for the machine. It's his voice we like. Have you ever 340 00:23:31,260 --> 00:23:32,960 considered Broadway? 341 00:23:36,060 --> 00:23:39,220 You wouldn't turn down Broadway. The crowds, the lights. 342 00:23:39,480 --> 00:23:41,060 Big theaters, swell restaurants. 343 00:23:41,520 --> 00:23:43,920 Oh, Alex, this is so exciting. 344 00:23:44,440 --> 00:23:46,020 You've always dreamed of singing. 345 00:23:46,240 --> 00:23:47,240 Not on this scale. 346 00:23:47,980 --> 00:23:49,040 What's your best offer? 347 00:23:49,640 --> 00:23:50,640 The Felix. 348 00:23:50,780 --> 00:23:52,240 No, no, no, no. The kid's right. 349 00:23:53,300 --> 00:23:54,300 Okay. 350 00:23:54,820 --> 00:23:59,460 Betty and I will pay you out of our own pockets for two weeks. 351 00:24:00,160 --> 00:24:02,500 We work up the material, we spring it on flow. 352 00:24:02,720 --> 00:24:05,100 But... If he buys the package, you're in. 353 00:24:05,420 --> 00:24:09,680 We pay the going rate, plus throw in a deluxe room in an upscale hotel. 354 00:24:09,940 --> 00:24:10,919 A deluxe room. 355 00:24:10,920 --> 00:24:12,300 All right, all right, a suite. 356 00:24:12,580 --> 00:24:15,840 The going rate plus 50 % is the least my client could consider. 357 00:24:16,600 --> 00:24:18,900 Felix, I'm your father, not your client. 358 00:24:19,660 --> 00:24:20,660 Janet, what do you think? 359 00:24:20,920 --> 00:24:26,600 Oh, I think we should talk about it. Yes, let's talk. As your mother says, 360 00:24:26,600 --> 00:24:27,600 going to think about it. 361 00:24:28,100 --> 00:24:31,300 Now, if you'll excuse me, I've got to go and see a chicken coop. 362 00:24:33,720 --> 00:24:35,560 What's he holding out for, a cut of the gross? 363 00:24:44,110 --> 00:24:45,490 I got Sarah's bicycle. Are you in a hurry? 364 00:24:45,750 --> 00:24:46,750 You'll never guess. 365 00:24:47,030 --> 00:24:52,790 I am organizing a musical review featuring the Blaines. 366 00:24:53,030 --> 00:24:54,710 Oh, Hedy, not you too. 367 00:24:55,050 --> 00:24:56,050 Oh, not me too what? 368 00:24:56,370 --> 00:25:00,970 Well, all this fuss about the Blaines wanting me to go to New York and sing on 369 00:25:00,970 --> 00:25:02,630 Broadway. You? 370 00:25:03,070 --> 00:25:07,390 I know it's ridiculous, but the kids are all excited. They practically got us 371 00:25:07,390 --> 00:25:08,770 packed and ready for the next boat. 372 00:25:09,730 --> 00:25:10,930 They want you. 373 00:25:11,370 --> 00:25:12,370 So they say. 374 00:25:12,840 --> 00:25:15,240 The Blaines want you. 375 00:25:15,660 --> 00:25:20,060 All right, all right. It's not that far -fetched. Felix thinks that the Blaines 376 00:25:20,060 --> 00:25:22,940 be prepared for us to take the whole family along. 377 00:25:23,360 --> 00:25:24,800 The whole family. 378 00:25:25,400 --> 00:25:31,820 Oh, oh, Alec, you must. Must I? But I only got involved to help out with 379 00:25:31,820 --> 00:25:33,840 Jasper's invention for Olivia's sake. 380 00:25:34,300 --> 00:25:37,100 You never have had a scrap of ambition. 381 00:25:37,520 --> 00:25:40,060 Look, I could prove to be a total bust. 382 00:25:40,380 --> 00:25:42,140 I mean, the Blaines have only heard me sing. 383 00:25:42,700 --> 00:25:44,460 Once? It wasn't even one of their songs. 384 00:25:44,800 --> 00:25:46,440 Well, it's just because you're no longer young. 385 00:25:46,900 --> 00:25:49,820 It doesn't mean you have to be so settled. 386 00:25:50,820 --> 00:25:52,580 Settled? That's the word Janet used. 387 00:25:52,800 --> 00:25:59,560 You see, the Blaines show people, show people. They go on instinct, 388 00:26:00,100 --> 00:26:02,180 gut, like me. 389 00:26:02,700 --> 00:26:03,700 Like you? 390 00:26:03,740 --> 00:26:05,600 Oh, now this is perfect. 391 00:26:06,300 --> 00:26:10,480 You must go to them at once and tell them that you'll agree to sing their 392 00:26:10,480 --> 00:26:13,500 song. as the grand finale for my musicale. 393 00:26:13,700 --> 00:26:14,700 Oh, Eric. 394 00:26:15,040 --> 00:26:16,040 Oh, please. 395 00:26:16,240 --> 00:26:18,440 You wouldn't deny your own family, would you? 396 00:26:19,100 --> 00:26:22,100 No, no, I... Let me think about it. 397 00:26:23,080 --> 00:26:25,220 Do you really think I'm settled? 398 00:26:25,620 --> 00:26:26,620 Oh! 399 00:26:27,480 --> 00:26:30,400 I'll telephone regarding the rehearsal. 400 00:26:31,160 --> 00:26:36,380 Oh, the folly and defilement when they are both full -grown. 401 00:26:37,200 --> 00:26:41,140 Of all the trees that are in the wood, the holly bears are crowned. 402 00:26:41,420 --> 00:26:45,400 It's awful good of your Felix to show Rudy that joint out there. 403 00:26:45,660 --> 00:26:46,660 Oh, the barn. 404 00:26:47,120 --> 00:26:49,460 Oh, I'm sure you're welcome to take the tour. 405 00:26:49,820 --> 00:26:51,040 No, no, no, I'll stay put. 406 00:26:51,580 --> 00:26:54,780 Something in the barn gives me the sniffles. Maybe it's the fur. 407 00:26:55,840 --> 00:26:56,840 The fur? 408 00:26:57,520 --> 00:26:59,740 Hair? What is it cows have? 409 00:27:01,420 --> 00:27:03,800 Tell us about New York. Is it exciting? 410 00:27:04,410 --> 00:27:06,950 Ever been on a trolley? No. A subway? 411 00:27:07,610 --> 00:27:08,850 An overhead tram? 412 00:27:09,250 --> 00:27:11,110 We got them all right outside our door. 413 00:27:11,830 --> 00:27:14,590 Where do you live? In a railway yard? 414 00:27:16,510 --> 00:27:21,990 Tell us, where do you live? Your house. Is it grand? 415 00:27:22,550 --> 00:27:24,310 Well, actually, it's not really a house. 416 00:27:24,830 --> 00:27:25,830 Aha. 417 00:27:26,150 --> 00:27:27,170 An apartment. 418 00:27:27,730 --> 00:27:30,950 Better. We got a suite at the Connaught Arms Hotel. 419 00:27:32,190 --> 00:27:36,430 You can get room service 24 hours a day. You want a pastrami at 2 a .m.? You 420 00:27:36,430 --> 00:27:37,870 just pick up the phone. 421 00:27:38,210 --> 00:27:40,350 Oh, yes. 422 00:27:42,310 --> 00:27:47,630 A pastrami at 2 a .m.? Must be a sleeping powder. 423 00:27:49,050 --> 00:27:50,530 What are you doing here, anyhow? 424 00:27:50,890 --> 00:27:51,890 You don't bake. 425 00:27:52,310 --> 00:27:53,310 Me bake? 426 00:27:53,750 --> 00:27:54,750 That's rich. 427 00:27:55,750 --> 00:27:57,470 No, I never got the knack. 428 00:27:57,970 --> 00:28:00,390 And, well, we don't have what you'd exactly call a kitchen. 429 00:28:01,400 --> 00:28:04,560 Anyway, nobody bakes in New York. Even the bakeries deliver. 430 00:28:05,140 --> 00:28:07,680 Oh, baking's one of my favorite things. 431 00:28:08,460 --> 00:28:13,660 I get up at dawn when the house is all still, and I take the rising loaves out 432 00:28:13,660 --> 00:28:18,580 of the warmer and pop them in the oven. I have my morning tea, and I watch out 433 00:28:18,580 --> 00:28:23,500 this window with the sun lifting and mists rising off the meadow. 434 00:28:24,620 --> 00:28:28,500 The whole place smells like freshly baked bread. 435 00:28:29,590 --> 00:28:31,950 We have dawn in New York. You can watch the street cleaner. 436 00:28:32,470 --> 00:28:35,190 And it's kind of a myth that hangs over the Bowery. 437 00:28:35,530 --> 00:28:37,210 It burns off, usually. 438 00:28:41,590 --> 00:28:45,590 Mrs. Blaine, do you have children? 439 00:28:45,870 --> 00:28:46,870 Me? No. 440 00:28:47,390 --> 00:28:52,330 Manhattan is... I mean, of course. Your kids are going to love Manhattan. 441 00:28:52,950 --> 00:28:55,350 City life can be so broadening. 442 00:28:55,710 --> 00:28:56,810 They'll never want to come home. 443 00:29:00,080 --> 00:29:01,080 They won't. 444 00:29:11,560 --> 00:29:17,520 Now, Mr. Blaine, I hear that you were able to overcome a severe case of 445 00:29:17,520 --> 00:29:22,080 frustration upon listening to an amazing voice replicator invented here in 446 00:29:22,080 --> 00:29:25,600 Avonlea. Well, one song is hardly full recovery. 447 00:29:25,880 --> 00:29:27,140 Hey, but it's a good beginning. 448 00:29:28,220 --> 00:29:32,580 Uh, so, would you say you endorse this amazing replicator? 449 00:29:32,840 --> 00:29:34,760 We're not really interested in it. 450 00:29:35,020 --> 00:29:40,160 Well, it's, um, portable and patent -pending, and, uh... Well, perhaps the 451 00:29:40,160 --> 00:29:44,380 police could use it for, you know, murder confessions. Oh, you don't have 452 00:29:44,380 --> 00:29:45,480 murders in Avonlea. 453 00:29:45,780 --> 00:29:46,780 Al! 454 00:29:47,720 --> 00:29:48,720 Hi! 455 00:29:49,220 --> 00:29:50,640 How's Jan and the kids? 456 00:29:50,920 --> 00:29:53,500 Oh, fine, Mr. Blaine. Mr. Blaine. Betty! 457 00:29:54,020 --> 00:29:56,440 Betty, look, I don't want to interrupt here. 458 00:29:56,720 --> 00:29:57,720 Are you taking up our offer? 459 00:29:58,160 --> 00:30:02,640 Everyone thinks I... I thought, well, if I sing one of your songs in Hetty's 460 00:30:02,640 --> 00:30:04,780 show... Oh. You could see how it goes. You bet. 461 00:30:05,260 --> 00:30:10,580 Absolutely. Oh, I am so thrilled. You know... This fella is the talent of the 462 00:30:10,580 --> 00:30:12,300 century. Put that in your paper. 463 00:30:14,360 --> 00:30:15,360 Oh, 464 00:30:15,620 --> 00:30:21,400 Janet, you're as changeable as the weather. 465 00:30:21,760 --> 00:30:26,120 I know, but... Since I talked to the Blaine, I just don't know what I want. 466 00:30:27,260 --> 00:30:28,690 But... Alec's opportunity. 467 00:30:29,490 --> 00:30:32,110 Surely it should be what he wants that matters. 468 00:30:35,930 --> 00:30:37,850 Have you been rehearsing all this time? 469 00:30:38,110 --> 00:30:40,350 I guess we lost track of the time. 470 00:30:45,630 --> 00:30:50,430 You know, Alec, I've been thinking. That song was kind of fun. 471 00:30:52,290 --> 00:30:55,710 It is? Yes, the Blaines, they were tickled. 472 00:30:59,280 --> 00:31:00,280 That's wonderful. 473 00:31:01,760 --> 00:31:06,600 But you know, if you're doing all this because of me... You? No, no, no, no, 474 00:31:07,540 --> 00:31:14,300 The more I sang, the more I realized that a man's got to follow his dreams. 475 00:31:15,420 --> 00:31:17,480 Even if they come later than expected. 476 00:31:18,560 --> 00:31:20,020 Well, yes. 477 00:31:21,720 --> 00:31:22,720 That's true. 478 00:31:23,040 --> 00:31:26,600 A man... A man would be fooled. 479 00:31:27,880 --> 00:31:31,800 Not to take advantage of a chance like this, don't you think? 480 00:31:33,340 --> 00:31:34,340 I suppose. 481 00:31:36,080 --> 00:31:41,200 I... I'm going to reach for that brass ring. 482 00:31:42,500 --> 00:31:43,500 Why shouldn't I? 483 00:31:47,260 --> 00:31:49,040 I'm glad it means that much to you. 484 00:31:51,180 --> 00:31:52,180 Yes. 485 00:31:52,760 --> 00:31:53,760 It does. 486 00:32:01,320 --> 00:32:02,320 Bright light. 487 00:32:03,880 --> 00:32:04,880 Here we come. 488 00:32:20,180 --> 00:32:21,180 That's quite enough. 489 00:32:21,500 --> 00:32:22,500 Thank you. 490 00:32:22,540 --> 00:32:23,540 I'll let you know. 491 00:32:23,980 --> 00:32:26,380 You can pull a coin out of your ear if you'd like to see that. 492 00:32:27,160 --> 00:32:29,520 Dearie, come here and pull a coin out of Miss King's ear. 493 00:32:29,820 --> 00:32:31,160 No. Never mind. 494 00:32:31,640 --> 00:32:32,640 Go on. 495 00:32:32,980 --> 00:32:37,160 I think I have a fair sense of your cousin's ability as Ada Hubbell. 496 00:32:38,120 --> 00:32:39,120 Next. 497 00:32:39,940 --> 00:32:41,160 Hedge King. 498 00:32:42,500 --> 00:32:45,480 This hotel is a three -ring stuck. 499 00:32:46,460 --> 00:32:49,900 Did Edward of Blaine's turn to all -heavenly show a bit mad? 500 00:32:50,460 --> 00:32:51,880 Simon, concentrate. 501 00:32:53,120 --> 00:32:58,160 Mark down that I'll play Scotland the Brave, but in tribute to the Great White 502 00:32:58,160 --> 00:33:01,520 Way. I've reinterpolated it to a ragtime beat. 503 00:33:01,800 --> 00:33:05,260 Is there no indignity from which I cannot be spared? 504 00:33:05,800 --> 00:33:06,800 Quiet. 505 00:33:09,380 --> 00:33:11,560 He has his heart set, Olivia. 506 00:33:12,340 --> 00:33:18,500 Why is he more excited, then? Well, you know, Alec, we brought your tickets to 507 00:33:18,500 --> 00:33:19,500 the musicale evening. 508 00:33:19,640 --> 00:33:22,440 Oh, thank you. You didn't have to come all the way down here. What's all this 509 00:33:22,440 --> 00:33:26,380 nonsense you wrote up in the Chronicle about Alec being the talent of the 510 00:33:26,380 --> 00:33:29,330 century? Why, that... is a direct quotation. 511 00:33:29,650 --> 00:33:33,390 And your sister. I can't believe Miss King would make Alec the star of the 512 00:33:33,390 --> 00:33:36,710 musicale. It's shameless promotion of your own family. 513 00:33:36,950 --> 00:33:40,390 Since when did Alec entertain such ambitions? I'd like to know. 514 00:33:40,830 --> 00:33:44,530 There are fires burning in my Alec, about which you know nothing. 515 00:33:44,970 --> 00:33:47,810 Now, if you'll excuse me, I have to pack my things for New York. 516 00:33:54,850 --> 00:33:56,250 Can I give you a hand with that saw? 517 00:33:57,580 --> 00:33:58,780 Got the elbow for it. 518 00:33:59,700 --> 00:34:02,740 Don't trouble yourself, Mr. Blaine. Wouldn't want you to ruin that fine 519 00:34:03,640 --> 00:34:07,840 You're talking to journeyman carpenter first class, Rudolph Blitzstein. 520 00:34:08,620 --> 00:34:09,620 Step aside. 521 00:34:09,920 --> 00:34:11,060 You're a carpenter? 522 00:34:11,760 --> 00:34:14,840 I'm just a Bronx dinner paler who knows how to write a tune. 523 00:34:15,320 --> 00:34:16,320 Huh. 524 00:34:17,739 --> 00:34:19,719 You ever miss working with your hands? 525 00:34:20,100 --> 00:34:21,100 Are you kidding? 526 00:34:21,580 --> 00:34:22,679 That's how I started. 527 00:34:23,120 --> 00:34:24,960 To the rhythm of the working world. 528 00:34:26,840 --> 00:34:29,300 Sitting on the front porch, don't you know? 529 00:34:29,540 --> 00:34:32,320 I'm dreaming of an angel. Her name is Flo. 530 00:34:34,480 --> 00:34:38,260 Yeah, tunes that come to me, easiest hitting nails back then. 531 00:34:38,760 --> 00:34:39,760 Now. 532 00:34:40,020 --> 00:34:45,380 Well, you, uh, you always go back to carpentry? Yeah, Betty would love that. 533 00:34:45,940 --> 00:34:48,320 If it's what you really wanted, I'm sure she would. 534 00:34:50,960 --> 00:34:55,310 You know, when I was a kid, My dream was to hear people pouring out of a theater 535 00:34:55,310 --> 00:34:56,510 humming something I wrote. 536 00:34:58,390 --> 00:35:02,330 When you get to be our age, one of those dreams ought to be coming true. 537 00:35:03,610 --> 00:35:08,250 All I ever really wanted was to run this farm and raise a family. 538 00:35:12,430 --> 00:35:15,330 You know, your voice is perfect for the songs Betty and I write. 539 00:35:17,030 --> 00:35:18,390 You gotta be there for me. 540 00:35:20,480 --> 00:35:23,320 Personally, I think your life would be a lot easier if you learned to play in 541 00:35:23,320 --> 00:35:24,440 something other than C major. 542 00:35:26,660 --> 00:35:28,280 Yeah, I guess that might help. 543 00:35:29,280 --> 00:35:30,320 I won't let you down. 544 00:35:34,260 --> 00:35:38,620 You know, it's not easy living up to someone else's expectations. 545 00:35:39,900 --> 00:35:45,600 No, I suppose at the end of the day, a man's just got to live up to his own 546 00:35:45,600 --> 00:35:46,600 expectations. 547 00:35:48,970 --> 00:35:49,970 So what's your advice? 548 00:35:50,130 --> 00:35:51,590 Go back to carpentry? 549 00:35:52,090 --> 00:35:53,730 Or take piano lessons? 550 00:36:08,710 --> 00:36:09,710 Delina! 551 00:36:10,210 --> 00:36:16,870 I was wondering if you'd, uh... You've never heard of any, uh, crap? 552 00:36:17,240 --> 00:36:21,540 that would allow a person to play the piano in the key of C major, say, and 553 00:36:21,540 --> 00:36:23,080 music come out in another key. 554 00:36:24,440 --> 00:36:30,860 As a matter of fact, Cousin Jasper, I believe, has drawings for just such a 555 00:36:30,860 --> 00:36:32,160 device. Really? 556 00:36:32,620 --> 00:36:37,920 It's merely a mathematical series of levers juxtaposing hammer strikes with 557 00:36:37,920 --> 00:36:38,920 strings hit. 558 00:36:39,100 --> 00:36:41,260 I could attempt a prototype. 559 00:36:42,760 --> 00:36:43,760 By tonight? 560 00:36:44,800 --> 00:36:45,800 Uh... 561 00:36:52,330 --> 00:36:58,750 She's a saucy flash packet and a packet of pain. She hails from New York 562 00:36:58,750 --> 00:37:01,170 and the dreadnought's her name. 563 00:37:01,430 --> 00:37:05,170 She's bound to the westward where the stormy... Where's Selena? 564 00:37:05,390 --> 00:37:06,390 I don't know. 565 00:37:07,890 --> 00:37:12,630 But the dreadnought's a slipper to beat one and all. 566 00:37:19,760 --> 00:37:23,540 Times like these makes one realize the mixed blessings of going deaf. 567 00:37:24,700 --> 00:37:26,140 She doesn't want to go, you know. 568 00:37:26,880 --> 00:37:28,880 Go? To New York City. 569 00:37:29,800 --> 00:37:32,040 Now, hold on. What do you mean? 570 00:37:32,640 --> 00:37:38,280 Here. Oh, this is it? Thank heavens. Does it work? In essence, it creates a 571 00:37:38,280 --> 00:37:41,560 template paradigm by transposing in a predetermined manner. 572 00:37:43,160 --> 00:37:44,160 Yes. 573 00:37:44,820 --> 00:37:45,960 I'll go get Mr. Blaine. 574 00:37:46,280 --> 00:37:47,880 Ah, that's good. 575 00:37:49,580 --> 00:37:51,220 Speaking to you, Alec. Hmm? 576 00:37:52,280 --> 00:37:56,200 Janet says she'll go because she thinks that you want to go. 577 00:37:56,680 --> 00:38:01,300 And even a deaf old lady can tell that neither of you wants to go. 578 00:38:02,200 --> 00:38:05,480 Sometimes I wonder how this marriage works at all. 579 00:38:07,200 --> 00:38:14,140 Well, it's just that... Well, Janet thinks that I 580 00:38:14,140 --> 00:38:16,340 can't be impulsive. 581 00:38:18,700 --> 00:38:21,640 We all take for granted the good things that we have. 582 00:38:22,340 --> 00:38:27,000 Maybe you've been complacent, but impulsive. 583 00:38:27,760 --> 00:38:33,760 That means popping a flower into your lapel or taking a canoe for a paddle. 584 00:38:35,700 --> 00:38:41,280 Leaving the farm and moving to another country is a different matter 585 00:38:43,360 --> 00:38:45,040 Thank you, Eliza. 586 00:38:48,140 --> 00:38:52,880 I know exactly what I'm going to do. 587 00:39:02,000 --> 00:39:08,660 Ladies, I'm making a fool of you. Anyone could claim a more convincing royal 588 00:39:08,660 --> 00:39:09,660 link. 589 00:39:21,800 --> 00:39:24,960 If I really look like someone of intimate acquaintanceship of the king, 590 00:39:24,960 --> 00:39:25,960 ask you. 591 00:39:26,080 --> 00:39:27,100 No, it doesn't. 592 00:39:31,800 --> 00:39:35,820 Most is impressive. 593 00:39:36,220 --> 00:39:43,180 Let's move straight onwards to the pièce de résistance of this evening's 594 00:39:43,180 --> 00:39:44,180 entertainment. 595 00:39:44,540 --> 00:39:49,100 Ladies and gentlemen, Mr. Alec King. 596 00:39:49,850 --> 00:39:56,170 will now give us his rendition of Rudy and Betty Blaine's latest composition. 597 00:39:59,070 --> 00:40:05,950 A song destined to make our Alex the toast of New York's Great White Way. 598 00:40:06,170 --> 00:40:07,170 Yes. 599 00:40:08,010 --> 00:40:09,010 Honky. 600 00:40:10,030 --> 00:40:11,030 Tonky. 601 00:40:13,050 --> 00:40:14,050 Don't. 602 00:40:26,220 --> 00:40:27,380 It's set for G. 603 00:40:40,820 --> 00:40:45,320 I'm sorry, Rudy, but you don't need me anymore now. 604 00:40:46,880 --> 00:40:52,660 Ladies and gentlemen, with this new device developed by the Dale family... 605 00:40:53,180 --> 00:40:56,800 I think that we could persuade Mr. and Mrs. Blaine to perform their new 606 00:40:56,800 --> 00:40:59,680 composition themselves tonight, yes? 607 00:41:04,280 --> 00:41:10,580 But just before that, if you'll indulge me in certain 608 00:41:10,580 --> 00:41:16,600 impulsiveness, I'd like to sing a song for my wife. 609 00:41:19,080 --> 00:41:21,120 Albert, I'm going to need your help on this. 610 00:41:21,840 --> 00:41:27,280 And I'd very much like my daughter to come and join me. Cecily? 611 00:41:44,280 --> 00:41:48,340 Are you weary of me, my darling? 612 00:41:49,320 --> 00:41:52,740 Did you mean all those words you once said? 613 00:41:53,040 --> 00:41:59,740 That made me yours forever Since that day long 614 00:41:59,740 --> 00:42:06,420 ago when we wed Now if you could live your life over 615 00:42:06,420 --> 00:42:10,500 Would you do it otherwise? 616 00:42:11,760 --> 00:42:18,160 Are you weary of me, my darling? 617 00:42:19,280 --> 00:42:20,280 Answer me. 618 00:43:08,930 --> 00:43:10,850 Here's to the end of your slump. 619 00:43:16,830 --> 00:43:23,550 Let's say I hadn't come out of my slump. Do you think you could... 620 00:43:23,550 --> 00:43:29,010 I mean, would you have... But you did. 621 00:43:29,450 --> 00:43:31,550 Well, let's say I didn't. 622 00:43:31,890 --> 00:43:33,650 What, if you never wrote another note? 623 00:43:34,530 --> 00:43:35,650 We would have been okay. 624 00:43:36,590 --> 00:43:38,430 You always were a pretty good carpenter. 625 00:43:42,350 --> 00:43:45,170 Miss Hetty, I've got something we want to show you. 626 00:43:45,730 --> 00:43:48,550 Thanks for the swell party. The king would have loved it. 627 00:43:49,330 --> 00:43:53,910 Next time you see his majesty, you must remember me to him. We were old chums at 628 00:43:53,910 --> 00:43:54,910 school. 629 00:43:55,690 --> 00:43:59,370 Well, here's a little something for your portrait fund, and we thought you'd 630 00:43:59,370 --> 00:44:01,350 appreciate an autographed picture. 631 00:44:04,760 --> 00:44:07,160 Don't forget to tell Georgie if Simon says hello. 632 00:44:08,640 --> 00:44:10,200 We need to rub salt. 633 00:44:13,320 --> 00:44:17,680 Let me see. 634 00:44:28,680 --> 00:44:33,220 With this device, you can have Bryce, Jolson, whoever you want sing for Mr. 635 00:44:33,340 --> 00:44:36,320 Seinfeld. So that thing is the greatest. I'll say. 636 00:44:36,700 --> 00:44:37,700 Thanks, Selina. 637 00:44:37,900 --> 00:44:39,460 Purely my cousin's inspiration. 638 00:44:39,880 --> 00:44:43,700 I'm just sorry we couldn't use the voice replicator. But who do I see about this 639 00:44:43,700 --> 00:44:44,700 machine? 640 00:44:55,280 --> 00:44:57,520 Oh, Alec, I'm so proud of you. 641 00:44:58,250 --> 00:45:01,390 Well, I suppose we should go home to your corner, old pal. 642 00:45:01,630 --> 00:45:03,090 Oh, let her wait. 643 00:45:04,250 --> 00:45:06,190 Tonight, you can sing in my ear.